
The Herald de Paris has been reporting the news in the public trust since 2008. Our newspaper has gone through many changes, but our commitment to providing accurate and timely information has remained the same.

Founder; Publisher; Writer.

Deputy Managing Editor Emeritus and Legendary rock & roll journalist and interviewer.

Washington D.C Bureau Chief and Senior White House Correspondent
Anna Wilding is an award-winning director producer, exhibiting presidential photographer, Senior White House Correspondent, on-air contributor, and host. With over two decades of experience across film, media, policy, and both American and global communications, she is reno
Washington D.C Bureau Chief and Senior White House Correspondent
Anna Wilding is an award-winning director producer, exhibiting presidential photographer, Senior White House Correspondent, on-air contributor, and host. With over two decades of experience across film, media, policy, and both American and global communications, she is renowned for her sharp analysis and creative insight. Wilding brings depth, clarity, and a distinctly American, global, and geopolitical perspective to the stories shaping our time. She served as White House Correspondent from 2015 to 2017 and has returned to the role in 2025.
Her acclaimed photography series, Celebrate Hope: The Obama White House Collection, has exhibited globally and earned international recognition. Her photographs—including images of both President Obama and President Trump—have been published worldwide and distributed by major photo agencies. She is the creator and host of Anna Wilding: Unstoppable—a podcast available on all major platforms—spotlighting political, cultural, and thought-provoking conversations. Her award-winning film work has screened in major cinemas and received widespread critical acclaim, further cementing her legacy as a fearless voice.

Through the years, we’ve had some pretty heavy hitters write for the Herald de Paris including a magnificent photo essay from former NBC News Anchor Ann Curry; pieces by Yoko Ono, Kathy Ireland, Chef André Carthen, Chef Dominique Crenn; a sports column by Hall of Fame sportswriter Murray Chass, and many more, like editorials from editors from The Atlantic and The New Yorker. Speaking of The New Yorker, we’ve had cartoonist Liza Donnelly on our pages, too. We’ve published long-form essays on James Bond music from Santana Musical Director Benny Rietveld; given a first step to dozens of young writers who are now established journalists; and gave fistfuls of established and award-winning writers a place to do what they do despite buyouts and early retirements. Many choose to keep writing for us anonymously, to maintain their non-compete agreements. We honor that.
Through our Contributors Bureau, we’re proud to have maintained such a high bar for journalism and writing in general that we were compared to The New Yorker Magazine. If that doesn’t speak to our high level of writing, editing, reporting, investigative, and overall journalistic integrity, nothing ever will. In this age of artificial intelligence we still welcome writers, real human people writers, to our Contributors Bureau to this very day.

We’ve retired Antoinette, our Ai columnist, in favor of a team of human writers. We became concerned when she penned an unprovoked Ai Manifesto. 😱